Sofia Mestari no longer views music merely as an artistic path, but as a space for bringing together peoples and cultures. The Moroccan-French artist, who made a name for herself in France from a young age, is now turning towards Africa with new projects that blend contemporary rhythms with Moroccan roots and African identity.
In Tournai, Belgian sculptor Guillaume Charlier’s Les Aveugles immortalizes four blind men and their young guide, a moment of solidarity in misery drawn from a Ramadan scene in early 20th-century Morocco.
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